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Elle Pérez ’11 was selected by the New York City Transit Service to have work featured on over 100 bus shelters this fall. They were included in the Whitney Biennial in 2018. In July of 2018, they had a solo show at MOMA PS1 titled "Diablo". "Between the Frame", a documentary about their art practice was made for the New York Close Up series of Art21 for the kick off of 2019 directed by Adam Golfer '07. Pérez has held solo exhibitions at MoMA PS1, New York and 47 Canal, New York. Their work has been exhibited at The Stonewall National Museum & Archives, Ft. Lauderdale, and the Bronx Documentary Center, New York, among other venues. Pérez is a founding member of Junte, a local and international artist collective and visual art project based out of Adjuntas, Puerto Rico.They are currently a Visiting Assistant Professor of Visual and Environmental Studies at Harvard University, and a Dean at the Skowhegan School of Painting and Sculpture.

Daniel Shea ‘07 was awarded the twelfth Foam Paul Huf Award for his work in which he presents a seductive and disconcerting world of concrete, steel and glass, which traverses the boundaries of fact and fiction. His cityscapes are poetic and timeless, yet they address the very real effects of capitalism on the urban landscape – and society at large. The title of his latest project 43-35 10th Street refers to his studio address in Long Island City: a residential neighbourhood in New York City that is rapidly gentrifying. However, Shea’s construction wastelands could have been (and in fact were) photographed anywhere in the world. Layering photographs from different times and places, the series transcends the local scale and addresses developments that affect cities globally.
Corinne May Botz ’99 presented a solo show, Milk Factory at Baxter St at the Camera Club of New York and the National YoungArts Foundation. Lactation rooms are everyday spaces that embody deeply felt subjective experiences of motherhood. Symbolically and materially, expressed milk is a substitute for the mother’s physical presence and emotional intimacy when separated from her child. Botz’s photographs of lactation rooms offer insight into women’s personal experiences, the maternal body’s status in the workplace, and the ideological contradictions inherent in modern parenthood and government policies. Her work was also included in “Half the Picture: A Feminist Look at the Collection” at the Brooklyn Museum.

Adam Golfer ’07 is included in the exhibition “Traversing the Past” at the Museum of Contemporary Photography Chicago. The exhibition presents the work of three artists, all of whom trace their family stories to histories of political turmoil, violence, and displacement. In using personal experiences as starting points, the artists transform the autobiographical into a multivalent lens through which to view complex political narratives. She gave a keynote address “Neutrality is Polite Oppression: How critical librarianship and pedagogy principles counter neutral narratives and benefit the profession” at the Critical Librarianship and Pedagogy Symposium (CLAPS) in Tucson, AZ.

Akea Brown ‘18  is the youngest recipient of the Janet and Walter Sondheim Fellowship Prize in 2019 which includes an exhibition at the Walters Art Museum. Her work has been nationally exhibited since her graduation. She was chosen for the 2018 Documentarian of Color Award by the Archive of Documentary Arts at Duke University. Rose Marie Cromwell ’05 had a photo essay in the New Yorker Magazine. Her photographs illustrate the article, “A New Vanguard of Women in Cuban Jazz”. See the link below for the article and beautiful photographs. She also published a monography “El Libro Supremo” with TIS Books. 
Jack Sorokin ‘15 won a 2018-2019 North Carolina Regional Artist Project Grant. His local library won Library Journal’s 2018 award for best small library in America, and he had the pleasure of photographing the library and the wonderful people who make it such a special part of our small community for the magazine. Phylicia Ghee ’10 was selected as a finalist for the Janet and Walter Sondheim Artscape Prize which includes an exhibition at the Walters Art Museum.
Angelo Ries ’18 had work featured in the group show on “Lens Scratch” in partnership with For Freedoms at International Center of Photography  Adam Pape ’06 published a new monograph book “Dyckman Haze” with MACK books, with a book launch party at Mast Books in New York City. Featured in Aperture's 2019 Summer Exhibition, Delirious Cities.
Jim Burger ‘81, has been photographing in Baltimore for over 35 years, and just finished a large-scale retrospective exhibition at the Creative Alliance in Baltimore. Jade Warner ’17 has work included in VSA, the Kennedy Center’s international organization on arts and disability, will present artwork by 15 emerging young artists with disabilities, ages 18 to 25, in a traveling exhibition. Titled Detour, this year-long national tour kicks off in Washington, D.C. at the Rayburn House Office Building on September 5, 2018, and is presented through generous support from Volkswagen Group of America.
Rafael Soldi ’09 had a solo exhibition “Life Stands Still Here” at Filter Space Chicago that was reviewed by Jill Danto on The Seen, Chicago’s International Online Journal of Contemporary and Modern Art. He also had a solo show at The Print Center in Philadelphia, which was reviewed in ArtFORUM. From January 4–18, 2019, he was the artist-in-residence at Oxbow Seattle. Jenny Ferretti ’07, built an online community through We Here, a supportive space for library workers of color. She was named a 2018 Mover and Shaker by Library Journal. She spoke on “Archiving Non-Traditional Art and Design Theses Work” at the Art Libraries Society of North America conference in Salt Lake City.
Nat Raum ’18 is included in the Treat America exhibition at Foley Gallery and OSNY Project Space in New York City. Erin Fender ’16 serves as the Program Manager for the Atlanta Photography Group (APG), a non-profit organization that promotes fine-art photography in Atlanta.
Sydney Cook '18, recipient of the 2019 Hopper Prize for Visual Arts for her body of work 191 Bittersweet Evie Metz '17, recipient “Lenscratch” Student Third Place Prize for 2017, full scholarship recipient for VCU MFA program.
David Billet  '17, has published a monograph with fellow alum Ian Kline ('17),  Rabbit/Hare, with Deadbeat Club Press, 2020.  Ian Kline '17, has published a monograph with fellow alum David Billet ('17),  Rabbit/Hare, with Deadbeat Club Press, 2020. 
Deyane Moses '19, her undergraduate thesis The Maryland Institute Black Archives (MIBA) uncovers MICA’s) Black history. The Archives, exhibition “Blackives,” and remembrance “Take Back The Steps” prompted MICA’s President Samuel Hoi to issue a letter in February 2019 apologizing for the Institution’s racist past. Peter F. Miller '16, won a Maryland Stat Art Council award for his body of work  Monterey- Leaving Home.
Jan Staller '73, published monograph On Planet Earth, with Aperture Press, 1997.  


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